Inspire

Wolfgang Suschitzky, Photographer and Cinematographer, Dies at 104

The Desert Trippers: Old, Young, Nostalgic and Adventurous

Review: Bob Dylan and the Rolling Stones, Electric, Not Just Nostalgic, at Desert Trip

What’s on TV Saturday: ‘45 Years,’ ‘Carol,’ and Lin-Manuel Miranda on ‘S.N.L.’

Joan Marie Johnson, a Founder of the Dixie Cups, Dies at 72

Austin Kalish, a Writer of ‘Maude’ Abortion Episode, Dies at 95

Walter Darby Bannard, Artist of the Color Field Movement, Dies at 82

Elaine Lustig Cohen, Designer Who Left Her Mark Everywhere, Dies at 89

Review: This Dance Is a Jolt at the Joyce Theater

Review: In Mahler, Philadelphia Orchestra Finds Beauty Amid the Grit

Fiddling While Venezuela Starves? Bolívar Symphony Opens Carnegie Season

A Ballerina Goes From Baby Bump to High Jumps

David Bowie as Muse? Why One Composer Says So

Review: This Sublime New Dance Work Embraces Wonder

10 Things to Do Now in NYC

Five Paintings Stolen in 2005 Return to Dutch Museum

Popcast: Tyler Glenn, a Gay Mormon Pop Star at the Crossroads

What You Should Watch This Weekend: ‘Saturday Night Live’ and ‘Insecure’

Paul Taylor American Modern Dance Plans 3 Premieres for Lincoln Center

‘Westworld’ Season 1, Episode 2: If You Can’t Tell, Does It Matter?

The Playlist: Bruno Mars Gives His Funk a Flashy Makeover

At Frieze Art Fairs, No Frenzy but a Sense of Steady Activity

Bill Cosby’s Lawyers Say Prosecution’s Delay Violated His Rights

Strauss’s ‘Elektra’ Sure Seems to Resemble Another Work

Review: Contortions en Route to Resurrection in Shen Wei’s ‘Neither’

Movie Review: ‘The Girl on the Train’

Review: ‘Divorce,’ in Which She Now Wants to Ditch Mr. Medium

Desert Trip Festival Woos Classic Rock Fans (Emphasis on ‘Classic’)

Review: ‘Insecure,’ or How to Negotiate Love and Commitment

In Balanchine’s ‘Serenade,’ Rituals and Gestures of Autonomy

Simon Halsey, Preaching to, and for, the Choir

They’ll Perform and Talk to Remember Those Killed by AIDS

A Mother Criticizes Vince Staples, and the Rapper Defends Her

Facebook Live: ‘A Day in the Life at Lincoln Center’

St. Paul Chamber Orchestra Comes to New York

What’s on TV Thursday: Roman Polanski’s ‘The Ghost Writer’ and Gustavo Dudamel

Review: ‘Valentin de Boulogne,’ Bright Star in Caravaggio’s Orbit

An Artist’s Eye to the Sky, Transformed at MoMA PS1

Different Dancing Sweets, and Richard Strauss, for Ratmansky’s New Ballet

Review: Maria Hassabi’s ‘Staged’ Might Have a Better Title as ‘Runway’

Christine, a Pop Star Who Sings With Her Muscles

Sarah Jessica Parker Returns to HBO With ‘Divorce’

Tidal Has Another Starry Charity Show Planned in Brooklyn

Danish Dance Theater at the Joyce, With a Sci-Fi Look

Phyllis Creore, ‘Canteen Girl’ on Wartime Radio, Dies at 100

Rod Temperton, Who Wrote ‘Thriller’ for Michael Jackson and ‘Boogie Nights,’ Dies

Review: ‘L’Italiana in Algeri,’ a Comedy With Coloratura and Pasta

A Taiwan Museum Featuring All of Asia

Paintings That Bear the Scars of War

Annie Leibovitz’s Work on ‘Women’ Is Never Done