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Review: ‘The Comey Rule’ and What a Fool Believes

September 24, 2020

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BY JAMES PONIEWOZIK via NYTimes Arts | Disclosure

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Modern Portrait of George Washington Draws Attention

By Heather Murphy | NYTimes | NYT > Style | Disclosure

Trumpeters. Friends. Rivals. 60 Years Ago, the Pair Made Jazz History.

Over two nights in Brooklyn, two musicians at a crossroads — Freddie Hubbard and Lee Morgan — went head-to-head in a pair of sizzling gigs. Jeffery McMillan | NYTimes Arts | Disclosure

The Frick Needs a New Piano. Which Would You Choose?

The pianist Jeremy Denk tests three Steinways that the Frick Collection is considering for its auditorium. Watch, listen and guess which the museum picked. Joshua Barone and Amir Hamja | NYTimes Arts | Disclosure

Gender Diversity in the Music Industry? The Numbers Are Grim

By BEN SISARIO via NYT Arts

Van Gogh or Faux? Weeding Out Fakes Is Starting to Take a Toll.

Attributing a work to the artist generally requires authentication by the Van Gogh Museum, but lawsuits and an influx of requests have made it reassess that role. Nina Siegal | NYTimes Arts | Disclosure

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Review: ‘The Comey Rule’ and What a Fool Believes

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